![]() The economic failure of Vigathakumaran discouraged him from producing further films. Thus song-dance sequences became an essential ingredient for commercial success in Malayalam cinema. These joints are moved using sticks and the shadow of these moving puppets are captured on a screen using a light source from behind, creating dramatic moving images on the screen. After Moodupadam, a social film about the relationship between three major religious faiths of the State, Hindu, Christian and Muslims, Ramu Karyat made Chemmeen a definite turning point in Malayalam cinema. ![]() The second film Marthandavarma based on a novel of the same name by C V Raman Pillai, was produced by Sunderraj in After Neelakuyil in, he shot Minnaminungu The Firefly in, a path breaking film of Malayalam cinema. Balan, the first Malayalam cinema with a sound track was released in A melodramatic film, with more Tamil influence than Malayalam, Balan featured the struggle of two orphaned children, Balan and his younger sister, oppressed and exploited by their evil stepmother until they are rescued by a kindly lawyer. Cinema continued to be dramas happening in a totally artificial and alien world. What really obsessed him was the desire to see Indian images on the screen in a purely Swadeshi venture. ![]() The ill luck of Malayalam cinema continued. ![]()
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